1. Connect at least three edges of the picture with objects, lines
or shapes. This creates a way in and out of the composition.
2. Connect the objects in your composition. Try
making one large, interesting shape from a number of objects by
overlapping them. (This keeps the viewer's eye moving through the
composition)
3. Close corners (keep the colors dark and neutral)
to keep the viewer's eye in the composition. Lines or shapes that
travel out through the corners take the viewer with them.
Examples: A river that flows out through one of the corners or a
branch or stem which points toward the corner.
4. Use limited color scheme. Try painting a piece
with three pigments or perhaps four. (Helps to give the piece harmony)
5. Repetition of similar (not exactly the same)
objects gives the piece harmony without monotony. The eye will tend
to flow from one similar shape to another.
6. Place the focal point or center of interest near
but not exactly in the center. (Gives the viewer's eye a place to
land before moving through the composition)
7. Use strong contrast or complementary colors to
draw attention to the center of interest or focal point. If all
objects are similar except one, that one different object will draw
the attention of the viewer.
8. Use pathways of light shapes, dark shapes or
shapes of a single color to lead the viewer's eye through the composition.
(Think of stepping-stones to lead the viewer through the picture)
9. Echo some of the same hues throughout the composition.
Jeanne Dobbe calls these "bridges" of color.
